ARTS at King Street Station

We Still Dream a Future: Call for Downtown Activations & Exhibitions in 2026

Le'Ecia is Black with shoulder-length braids.
What stands out to me is how folks checked in with me frequently to help me execute my exhibition. I felt like me, my artwork, and my ideas were handled with the utmost care and respect. I really appreciate that and will carry that with me. — Le'Ecia Farmer

Fashion, one-act plays in Tagalog, self-portraits that challenge social norms and the understanding of trans bodies, Latinx performance art, these are just some of what's happened in the ARTS at King Street Station gallery.

ARTS at King Street Station is a dynamic space for arts and culture in the heart of the city dedicated to increasing opportunities for people of color to generate and present their work. Housed above Seattle’s historic King Street Station, this 7,500-square-foot gallery and cultural space includes a studio for artists-in-residence and offices for the Seattle Office of Arts & Culture.

In 2018, we published a community feedback report drawn from focus groups hosted citywide. It outlines the public's hope that ARTS at King Street Station might serve as an accessible arts space and hub for community-building through the arts with a race and social justice lens as its guiding principle.

See what's currently on view on our Gallery page.

Community Impact

$500K + invested in artists

490 creative workers

44,344 visitors and people engaged

ARTS at King Street Station Advisors

About The Advisors

The ARTS at King Street Station Advisors are a group of community leaders and arts/culture enthusiasts who work with ARTS staff to ensure that the programming at ARTS at King Street Station centers racial equity, represents and welcomes diverse communities, and showcases many creative disciplines. Advisors serve a two-year term.

Em Chan

A young adult with dark shoulder length hair, wearing a brown tee shirt and gold necklace with a serious expressionEm Chan is an emerging interdisciplinary arts facilitator whose current interests explore contemporary art and artmaking against and beyond institutional boundaries. A recent graduate of the University of Washington in Art History and English Literature, Em has worked in and across a variety of different arts settings, including classrooms, special collections, theaters, film festivals, art fairs, and museums. He is currently a curatorial assistant at the Henry Art Gallery.

Ashanti Davis

A Black woman wearing a hat and glassesAshanti Davis is an Artist, Thinker, Social Justice Advocate, and Arts and Culture Entrepreneur who believes in the power of Art and Creativity to create meaningful change in the world. She has led interdisciplinary teams in the development of unique STE(A)M experiences and exhibitions and has co-instigated and chaired internal groups for Diversity, Inclusion, Equity, and Accessibility. Ms. Davis is currently the Program Director for Coyote Central in Seattle, WA, and Community Experiences Designer for Pueblo LLC. Ashanti is an Alumni Fellow of the ASTC Leadership and Diversity Fellowship program, a Board Member for Regenerative Nexus, received a BA in Creative Arts and Communications from Richmond American International University in London, and an MA in Museum Studies and Certificate in Nonprofit Management from Johns Hopkins University in 2021. Catalyzing meaningful change through lenses of science, justice, curiosity, and creativity for all communities is her guiding star.

Dellyssa Edinboro

A Black woman with glasses and a floral blouse smilingDellyssa values community and civic engagement and has worked with collectives such as the Center for Afrofuturist Studies and the Iowa Youth Writing Project. She was also a cohort member of the City University of New York (CUNY) Service Corps and Rotaract Club of Georgetown Central. In 2023, she was awarded the Eastside Civic Leadership Award. She is an Associate Professor and Chair of the Cultural and Ethnic Studies department at Bellevue College and has served as Culturally Responsive Practices Lead for their Faculty Commons. 

Duncan Gibbs

A white man wearing a baseball cap and glasses, with a short white beardDuncan Gibbs (he/him) is an artist. He was a member of the inaugural 2018 KSS Advisors panel and is grateful and excited to return. He served as Art Coordinator for Seattle’s annual Gender Odyssey conference from 2011 to 2016, and has shown paintings and other works in local group exhibitions. Born and raised in Ohio in 1959, making him technically a “Boomer,” Duncan is a member of the Trans community. He moved to San Francisco in 1988, where he was active with Queer Nation, CUAV (Community United Against Violence) and GLAAD, before making Seattle his home since 2004. Duncan earned a B.A. in Communications & Media Arts from Antioch University in Yellow Springs, OH, and an M.A. in Educational Technology from San Francisco State University. He works on the Digital Experience Team at Puget Sound Energy.

Kerri Hill

ARTS at King Street Station Advisor

Marie Kidhe

a Black woman with short pink hair and orange lipstick sitting outsideMarie T. Kidhe is a dynamic community engagement leader and award-winning project manager. With over 20 years of experience, she specializes in event development, strategic outreach, and fostering collaboration across diverse sectors. Her leadership has driven successful projects for organizations like Métier Brewing Company, RVC, Communion Restaurant & Bar, and the Seattle Black Panther 50th Anniversary. Marie's expertise in building meaningful partnerships has been instrumental during her time at the Northwest African American Museum and Friends of Waterfront Park. As a second-generation Ugandan-American and native Seattleite, she leverages her extensive network to create inclusive, impactful community initiatives, ensuring all voices are valued.

Matthew Offenbacher

I am a queer white Jewish Seattle artist. I grew-up near Portland, Oregon and have been living and working in Seattle for twenty years. My work has been called “freakishly egoless”, vulnerable and funny.  I've worked both in front of and behind the scenes in Seattle to collectivize artists’ power and criticize institutional norms. I began as a painter, and most of my projects relate to painting, even as they take forms like installation, organizing, publishing, and dance. I like to seek out constructive, positive positions at often difficult intersections of individuals, communities and institutions. I believe everyone has incredible creative abilities that, given a chance, can lead us towards radical new possibilities for a more just world.

Alicia Mullikin

A woman with long dark straight hair looks seriously at the camera against a red backgroundALICIA MULLIKIN is an Indigenous Chicana dance artist and educator. She is the visionary behind El Sueño, an organization that propels powerful expressions of Mexican Indigenous Identity to the forefront. In 2023, Alicia's dedication to advocacy earned her recognition as one of only fifteen national artists honored as an Arts Advocacy Leadership Fellow by the National Association of Latino Arts and Cultures. Through her artistry and activism, Alicia strives to empower and nurture future ancestors.

Scott Oshima

An Asian nonbinary person with their long black hair blowing in the windScott Oshima (they/them) is a Seattle-based artist and activist whose work unearths the personal and political history in our city streets. Their photography, films, and performances have been exhibited at MOCA Los Angeles, the Japanese American Cultural & Community Center, LA Contemporary Archive, Local Sightings Film Festival, and LA Asian Pacific Film Festival. Three books of their photography, art, and writing have been published by No Style Press. Scott works at 4Culture and is the former director of the Sustainable Little Tokyo creative placekeeping initiative. They can often be found singing Mariah Carey and laughing a lot and loudly. Say hello: www.o-shi-ma.com | IG: oshimadoesart.

Sadaf Sadri

An Iranian woman at the beach looks to the side at the cameraSadaf Sadri is an Iranian new media artist and curator based in Seattle. The focal point of their work revolves around the concept of interruption. Their interest in disruption lies in the void that emerges in the wake of the discontinuation of the established power systems. This void, they believe, offers a space to imagine alternative narratives that might otherwise remain unexplored. To translate their imaginations to a more palpable communicative form, they employ e-textile, Video and AI. Sadaf is currently a PhD student at the DXARTS department at the University of Washington.

Shaudi Vahdat

An woman with long straight brown hair touches her face lightlyShaudi Bianca Vahdat is a musician, composer and theatre artist specializing in story-driven songwriting. Her influences include musical theatre, jazz, classical, and both American and Iranian folk music. Shaudi holds a Masters in Music in Contemporary Performance from Berklee College of Music and a B.A. in Drama Performance from the University of Washington Seattle. Shaudi has performed and/or composed for organizations like Washington Ensemble Theatre, Book-It Repertory Theatre, The Bushwick Book Club, Seattle Arts & Lectures, and Opera House Arts in Stonington, Maine. In 2012, Shaudi produced and released her first EP, Some Songs, and in 2017 her follow up EP Left, a stylistically mixed studio album. She is a Fall 2024 Artist-in-Residence at Inscape Arts, and will present an original song cycle in Spring 2025 at Seattle Center as part of the Artists at the Center program. Find Shaudi’s work on Apple Music, Spotify, and at shaudibiancavahdat.com.

Joe Williams

Black and white photo of a Black man with an afro and beardJoe Williams, M.M. is a celebrated arts leader and active performing artist from Tacoma, WA. They have contributed policy recommendations to Tacoma Arts Commission and Music Teachers National Association among others. In 2019, Williams founded Music from Home at Lakewold Gardens, a live global music series centering women and BIPOC performing artists which has earned support from the National Endowment for the Arts. In 2022, they received the Paul Charosh Independent Scholar Fellowship from the Society for American Music. Their inaugural album, Life's Sweet Shadows, featuring Seattle-based soprano Ellaina Lewis will be released by Navona Records this fall. An accomplished composer, Williams is currently collaborating with 2022/23 Seattle Youth Poet Laureate poet Sah Pham and Seattle-based spoken word artist Nakeya Isabel on works commissioned by the Tacoma Youth Symphony and the John F. Kennedy Center for the Performing Arts respectively. To learn about Williams' international performance career, visit soundliberator.net.

Rentals

Located on the top floor of the historic train station, ARTS at King Street Station provides flexible, multipurpose areas for community-gathering in addition to professional office and gallery space.

If you are interested in renting the space, please refer to the following documents:

See the Space

How We Got Here

African performers at King Street Station during Create City 2016. Photo by Sunita Martini.

King Street Station Programming Plan

ARTS staff worked with the University of Washington Evans School Consulting Lab to produce a research report, "Reimagining King Street Station through a Racial Equity Lens" (May 2018), which is an aspirational document about best practices in cultural space programming.  

Watercolor of King Street Station by Tina Kayoma.

Reimagining King Street Station through a Racial Equity and Social Justice Lens, UW Evans School of Public Policy & Governance

 2018 King Street Station Community Feedback Report 

King Street Station Community Feedback Report (5 MB)

About King Street Station

Historic image of King Street Station

King Street Station is a public asset that is an important part of Seattle's history. For over one hundred years it has improved connections, serving as a gateway for millions of travelers coming into Seattle and the Pacific Northwest. The station has spurred economic growth and helped establish Seattle as a major metropolitan city.

King Street Station first opened to the public in May 1906. Reed and Stem, the architectural firm responsible for New York City's historic Grand Central Terminal, designed the station. The San Marco bell tower of Venice, Italy, served as the model for the building's familiar clock tower. The structure was placed on the National Register of Historic Places in 1973.

Interior King Street StationKing Street Station, located on Jackson Street between Third and Fourth Avenue S., is a brick and granite three-story building with a twelve-story clock tower. The ground floor, accessed from King Street, is clad in granite. The walls of the second and third floors, as well as the clock tower, are faced in pressed brick with decorative terra cotta elements such as cornices and window lintels.

While much of the exterior of King Street Station has remained intact since the building was constructed in 1906, parts of the interior have been substantially altered and others have suffered neglect. Similarly, while nearly half of the facility's original finishes remain intact, most of the significant finishes in the lower portion of the station have been removed. In March 2008 the City of Seattle purchased the landmark building from the Burlington Northern Santa Fe (BNSF) Railway Company.

Under city ownership, King Street Station underwent a $50 million renovation that achieved the following goals:

Exterior King Steet Station

  • Restore the building's historic character and grandeur
  • Upgrade facilities to meet present and future needs of rail and transit users
  • Enhance passenger safety and security
  • Promote sustainable design with a LEED building certification
  • Support efforts to transform the station into a modern transit hub
  • The station is served by Amtrak Cascades, Coast Starlight and Empire Builder long distance rail lines and Amtrak intercity buses. It includes convenient connections to Sound Transit commuter rail, local and regional buses, Sound Transit Link light rail, and the First Hill Seattle Streetcar.
  • The restoration of King Street Station ensures it remains a critical transportation hub and gateway into Seattle for the next hundred years.
Putsata has long, wavy, gray hair.
I've been to many arts events. What made Longest Night different is that there was an aliveness to the evening, a sense of a space that could hold all of us. It was one of the best truly community-centered events I have attended in the past decade. — Putsata Reang

Arts & Culture

Gülgün Kayim, Director
Address: 303 S. Jackson Street, Top Floor, Seattle, WA , 98104
Mailing Address: PO Box 94748, Seattle, WA , 98124-4748
Phone: (206) 684-7171
Fax: (206) 684-7172
arts.culture@seattle.gov

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The Office of Arts & Culture promotes the value of arts and culture in, and of, communities throughout Seattle. It strives to ensure that a wide range of high-quality artistic experiences are available to everyone, encourage artist-friendly arts and cultural policy.