﻿1
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(Singing in background) (♪) Who gave you those? (♪)

2
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-My name is Glen “Pops” Freeman.

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I'm a street musician
living here in Seattle

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now, for the last 35 years,
and I write my own music.

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I play percussion and sing,
my choice of instruments

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is a water bottle. (Indistinguishable singing)

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(♪) And he gave you his heart. (♪)

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It's entertainment.

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People like to be entertained.

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(Singing upbeat song in background)
They like the fact that it's

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personal interaction,
like a personal concert.

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I grew up in San Diego,
California,

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grew up in a junkyard.

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My mother had 14 children.

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I never met my dad.

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I've never really even seen
a picture of my dad.

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His name was Thomas Freeman.

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You know, matter of fact,

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I have a poem
I've written about him.

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It's called
“The Man I Never Knew”

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‘You would have had to have been cool.

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You would have had
to have been real damn cool,

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good looking, smart
and a damn good hustler, too.

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Because I know my Momma
and she wouldn't

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have fell for no fool.
But you're just a man

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I never knew.’

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(♪) Now, my
mom always said she loved

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you,

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and she loved her, too.

30
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And if you did,
what would make you leave

31
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You leave her and your family too?

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Turn your back,
never look back.

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What were you running from?

34
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What were you running to?

35
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You’re just the man that I never

36
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knew. (♪)

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-I first met
Pops in The Rendezvous.

38
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I was probably sitting here or
here, and Pops came up to me

39
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and asked if I would like him
to do a poem.

40
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And I said, ‘Sure’.

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He did a poem for me
called “Broken Glass.”

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-My love is cut now.

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It has cut completely through

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as I try to hold
the broken edge of you.

45
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And I'm unable to see through
the lie or find the truth.

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So of my love

47
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now all remains are shattered

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feelings, broken window panes.

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And when I think

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of what we had, my heart's
like fragments, broken glass.

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-When Pops
performed this piece for me,

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I was speechless.

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It was beautiful.

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He played to
an audience of one.

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He connected like this.

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-I come in here, I mean,
and I feel like I'm at home.

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And she is the person that is
the nucleus of this place.

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And she holds it up and she
she makes me

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feel as if I am always
welcome here.

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And she speaks to everyone.

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‘Oh, you should hear Pops!’

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She's my number one fan,

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I think I would like to say.

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I'm Glen “Pops” Freeman,
 I'm a street musician.

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I've written an original song
every single day

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for three and a half years
and a poem a week.

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-Wherever he is,
whenever he talks to you, he's

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100% in the moment
and he brings

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love and light and generosity

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and authenticity
every single time he talks.

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I've never seen anything else
from him.

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-This is the
story of my grandmother's ‘52 Chevy.

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(♪) My grandma used

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to drive this old

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beat up green, ‘52

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Chevy.

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With the dents in the side.

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The one

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headlight. (♪)

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See my songs I keep, when
I play at about one minute.

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The reason is that's how long
it takes the light to change.

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(Laughs)

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(Indistinguishable singing)

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I'm planning on this trip
home to San Diego.

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And this is one of the things
that I'm

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in the process
of dealing with.

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I left.

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Never really went back.

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35 years I've been here.

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When I left San Diego,
I had been going out with

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a woman.

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And one day I was up here
and someone

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I ran to from San Diego.

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We got to talkin’.

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‘Did you know you
had a daughter?’ I went, ‘Nope.’

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And I said, ‘Well, I

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should probably go down there
and see her.’ Yeah well, 

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Yeah. I never went.

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Never went, never went, never went.
Now I’m gonna go.

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I'm doing this
concert at the Rendezvous here

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to raise money
to support this trip.

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I'm homeless.

103
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I'm hoping to make enough
from this show

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in order to pay
my needs to go down there.

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But if I don't have a dime,
I'm still going.

106
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Backstage at The Rendezvous!

107
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Um, preparing for my concert tonight.

108
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A lot of friends,
a lot of love out here.

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I'm ready.

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Well, hello, everybody.

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-Hi Pops!

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(♪) It's time to rock.
But don’t let go.

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But don't let go.

114
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I'm so happy.

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I'm near to die.

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But don't let go.

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Don’t let go. (♪)

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(♪) Emancipate yourself

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from (indistinguishable)

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None but ourselves can 

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free our minds,

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(Crowd singing along) we’ll meet again.

123
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Don't know where,

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don't know when.

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But I know we’ll meet again

126
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some sunny day. (♪) 

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My mind's always

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searching for the best thing
I've ever written.

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I'm trying to find
the best thing

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I've ever written,
and I haven't written it yet,

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but I'm going to find it.

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So I'm always
searching for it.

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You know, I don't see
the sun setting, you know,

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I see there's the world
spinning one way and the sun

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is going the other way
and we're just in between.

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And I watch the light come,
and I watch the light leave.

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And I try to figure a way

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to put it all into this
thought to where you go.

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‘Wow, I never seen it that way.’

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(Announcement on loudspeaker) 
-Good morning and welcome to Amtrak.

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Passengers

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traveling in sleeping
cars or Business Class,

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please
have a seat in the lobby.

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-All right.

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Thank you, ma'am.

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-Pops, this is yours.

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(Indisinguishable)
-You got your picture on the wall.

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It's going to
be there when you get back.

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-All right,

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We're doing it.

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We're doing it.
-Proud of you.

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-I like to catch people off
to themselves

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when they're walking home

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after the bars have closed,
and they stop

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and they're willing to take
the chance.

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It's just me and them.

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And we're two feet away

158
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and I look at them
straight in the eye.

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And they look at me
straight in the eye.

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And I sing them a song.

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They go, ‘Wow.’

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I love that.

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It's more than performing.

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It's actually like wrapping

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your arms around someone
and holding them.

166
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Yeah, that's what it's about.
