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Hello and
welcome to another episode of Book Lust.

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I'm Nancy Pearl.

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My guest today is writer David Maraniss.

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And we'll be talking about his new book,
A Path Lit by Lightning.

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David,
thank you so much for joining us today.

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I'm a sucker for librarians and libraries,
so I'm happy to be back.

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Well,
it's a pleasure to to meet you in person,

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because I've just been such
a such a fan of your books. And

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I you know, I think you just do a great.

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You're just you're just great. So.

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Your new book, A Path Lit by Lightning,

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is a biography of Jim Thorpe.

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And many of us,

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if we knew who Jim Thorpe was at all,

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we were introduced to him

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in those childhood biographies

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which simplified
everything about his life.

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What what was the impetus for you?

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Why why did you choose him to do your next
big biography?

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Well, you're so right.

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So many people when I told them
I was writing this book,

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said, oh, I read about him in fourth
grade or alternately,

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oh, I saw the 1951 movie
starring Burt Lancaster.

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Those were the ways that people knew the story.

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So, you know, I didn't know

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much more about him than that either
when I started.

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But of course, the whole point
of being a biographer is to learn about

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life and illuminate the history
and sociology through someone's life.

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You know, I'm not a sportswriter,

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but I have written sports
biographies in the past.

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One on Vince Lombardi, the football coach,

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and one on Roberto
Clemente, the beautiful ballplayer.

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And in those books, as with Thorpe,

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I saw the chance to use the drama
and action of sports

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as a way to illuminate sociology
and history.

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You know, Jim
Thorpe was so much more than an athlete.

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It's it gave me the opportunity to write
about the Native American experience

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through the
the stations of the cross of his life.

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You know, the idea was first

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broached to me a long time ago,
more than two decades ago

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when I was in Denver on book tour
for my book on Vietnam in the sixties,

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and a someone who was at the event

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who was from the Oneida Nation
in Wisconsin and a writer named

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Herbert, Norbert Hill,
who came up to me afterwards

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with his sheaf of papers

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and said, David, this is your next book.

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Jim Thorpe.

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And I politely said, Thank you.

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I don't take ideas from other people.

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It has to come organically.

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I'm writing another book right now.

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But he planted the seed
and it took a long time to grow.

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But I'm glad that it did.

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Do you have do you do

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you plan your next book well in advance?

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I mean, do you know, for example,

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what what
your next book is is going to be?

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That's a great question, Nancy,
because this is the first time

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in 30 years since my first book,
the biography of Bill Clinton,

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that I've purposely not planned
my next book.

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My wife and I, you know, we're 73 years
old, but we're going to take a gap year.

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Okay.

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So, you know, after writing books
nonstop for 30 years, I do have some.

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Some other books that I will get, too,
including a second volume

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of my biography of Barack Obama,
who I left off at a fairly early age.

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But I won't do that
until his second memoir

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or a book about his presidency comes out

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and his library is more complete.

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You know, it's really
an initial stage of documents there now.

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So I can't do only
more shot at it.

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So I'm not going to do
that would probably next.

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But I hope I'm around
to do it to finish that one.

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When you do your research for a book,

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I imagine that you have like

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piles of three by five note cards.

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I mean, how do you I mean, I remember
I was I have a master's degree

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in history
and I remember doing the research.

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Of course, that was way before computers,
because we're we're almost the same age.

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And I remember the fear
of losing one of those

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one of those important
footnotes, the reference to that.

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So how do you go about your research?

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I'm very old school.

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Speaking of index cards, before I

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I started my first book,
which was the Clinton biography.

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I talked to Taylor Branch and Robert

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Carow, two great biographers
who I deeply admire.

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And they shared, you know, I just said,
how do you do it?

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You know,
and Taylor said that he used index cards.

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So for my first two or three books,
I used index cards

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about 5000 or 10,000 of them,

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you know, arranged by chronology
and theme, you know, in shoeboxes.

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And, you know, it worked.

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Now, I tend I still don't

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use one of those fancy

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computer organizational tools, but

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but I use three ring binders instead.

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So for the Thorpe book,
as for my last four or five

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or six books, you know, I've had shelves
full of three ring binders.

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And then I will take, you know, by subject

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theme and then before

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I write them, start writing
the book, I'll take all of that material

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and process it one more time
into sort of my master notes,

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which can be three or 400 single spaced,

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single typed pages.

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And even then, I work

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chapter by chapter, I refine the notes
even more and detail to them.

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I'm not the sort that writes

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out a long outline.

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You know, one of my closest
writing friends, Rick Atkinson, who writes

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about military history, has outlines
that are longer than his books.

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I don't do that.

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You know, I for each chapter,
I'll try to figure out

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where I want to start,
where I'll probably end,

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and what the important points
are through that chapter.

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But then I'll sort of let the magic happen
from there.

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I don't want everything
to be played out ahead of time.

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So that's basically
my organizational process.

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I've always told younger writers,
non fiction writers,

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that every hour you spend

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getting control of your material,
will save you hours

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and hours of writing time,
you know, if you have it ready.

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Besides Taylor Branch and Robert Carow,

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Are there other biographers 
that you that you

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maybe not have influenced you,
but that you read with pleasure?

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Oh, yeah. Many.

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Stacy Schiff.

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That's who I was.

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Yeah. I love
I loved her book as well.

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I apologize.

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I don't know how to pronounce her
first name

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because I had only just read it,
but Hermione Lee.

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Oh, yeah.

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And, you know, I read with,

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you know, McCullough and some of the older

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standards,
you know, I admire all of those.

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But I would say
Carow is my first role model in terms of

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trying to get all of the details
in every possible way

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and then write it in a 
storytelling fashion.

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But, you know, there are a lot of

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I do read a lot of biography and many
that I admire.

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Do you when you started this book
about about Jim Thorpe.

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Millard is another one, by the way,
who I really. Respect.

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I'm sorry. Candace Millard is another one.

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Oh, yeah. Oh, Candace, I agree.

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Yes. We share we
we have those biographers in common.

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Absolutely. Candace Millard,

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when you started working

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on A Path Lit by Lightning
or when you imagined it,

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did you did you think that it would be

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did you plan as detailed
as as you go into it?

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Or is that the reward
of being a good researcher

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that you
that you found all this information.

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I guess the way to answer that is
I know it's always out there.

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I just have to go find it.

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This this biography was different from

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my earlier ones for several reasons.

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One was that Jim Thorpe,

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you know, died in 1953.

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He was born in 1887.

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So it's really the first biography
I've written where there were

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no contemporary people to interview.

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Even his children were all gone
by the time I started researching it.

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So that's one significant difference.

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So I relied more on archival research
and oral histories

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and all of that
than I would in my other biographies.

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The second major difference was COVID.

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You know, one of my mottos is go there
wherever the story is based.

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So, you know, for my Lombardi
biography

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that's told the story many times
that my wife always blanches.

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But I turned to her in 1996 and said,

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How would you like to move to Green
Bay for the winter?

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Which she responded brrr but we did.

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And I've done that
for almost all of my books.

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I could not do that this time
because of COVID.

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You know, I would have spent considerable
time in Oklahoma, and I couldn't

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it was sort of the epicenter
of COVID.

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I just couldn't be there.

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I didn't get to Stockholm.

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Where he won his gold medals
for the very same reason.

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So in that sense, it was different.

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I found ways around that.

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But but but the go there,
part of it was harder for this book.

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I lived for

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23 years in Oklahoma,
sort of before I moved to Seattle

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because my husband was got a job
teaching at Oklahoma State University.

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So we were there and even there

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Jim Thorpe

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still I mean, he wasn't somebody.

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He wasn't buried there.

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First of all.

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So there wasn't
you didn't learn a lot about Jim Thorpe

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being in Oklahoma or even as my children
did growing up in Oklahoma

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I think.

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And I wonder whether
if he had not been a Native American

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and therefore “the other”

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whether we would have learned more.

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It would have been he would have been more
at the front of

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of our experience, especially for people
who are interested in sports.

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Yeah, I would expect so.

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I mean, I think that, you know,
in terms of Oklahoma, it's

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he's on a level with Will Rogers,
who you probably heard more about.

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Right.

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I mean, I would say those are
the two transcendent figures,

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not political.

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Right.

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And, you know,

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I did travel through Oklahoma on the book
tour, Nancy,

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you know, in Tulsa, in Oklahoma City.

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And one of the more meaningful aspects of

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that was the number of Native Americans
who came

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and thanked me for writing the book.

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So, you know, the experience of white
Oklahomans

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might have been somewhat different
from Native American Oklahomans in terms

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of where Thorpe stood
in their pantheon of bright figures

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or even among white, you know, I mean,

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Congressman Cole, who

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I might not agree
with on any political issues,

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is giving the book to all of his people

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for Christmas.

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You know, so,

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in Oklahoma City, I,

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I met the mayor who I really like,
David Holt,

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who's a big book person,
spoke at Full Circle Books and and

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said, you know, I didn't find

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Thorpe be buried there.

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He maybe he wasn't.

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That could have been.

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But I was heartened by the reception.

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Mm hmm. So.

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So, Jim Thorpe, you talk about

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of course you talk about Thorpe's
childhood and his experiences.

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And one of the formative experiences
in his life was that

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he was sent to the Carlisle Indian School
in Pennsylvania.

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And I think for a lot of readers

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reading about

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about the Carlisle Indian School
and the other Indian schools

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that were at that time in Canada
and the United States

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was really a revelation.

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What what part do you think

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00:14:00,573 --> 00:14:03,909
being there played in Thorpe's life?

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00:14:04,510 --> 00:14:07,446
Well, I think that the Indian boarding
school experience

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was at the center of anyone's life
who went through them.

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And I found that to be true
with so many people

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I talked to while I was doing the book,
and then even more so afterwards.

245
00:14:20,626 --> 00:14:23,462
For Thorpe,
it's sort of a mixed bag in the sense

246
00:14:23,462 --> 00:14:27,766
that nobody would know of him at all
if not for that boarding school where I

247
00:14:28,300 --> 00:14:30,936
that's where he gained
fame as a football player

248
00:14:31,437 --> 00:14:35,507
and track star of international fame
after the Olympics.

249
00:14:36,542 --> 00:14:38,444
On the other hand,

250
00:14:38,978 --> 00:14:41,714
it was always a,

251
00:14:41,714 --> 00:14:43,282
you know, a

252
00:14:43,449 --> 00:14:46,986
diminishing experience
for anybody who went through that.

253
00:14:47,486 --> 00:14:51,223
Carlisle was actually the third
boarding school that Jim had been to.

254
00:14:51,690 --> 00:14:55,160
The first one was in Oklahoma,
the Sac and Fox boarding school,

255
00:14:55,661 --> 00:14:59,965
where his twin brother died
when a disease swept through the school.

256
00:15:00,499 --> 00:15:03,002
And that was a very,
very common experience

257
00:15:03,002 --> 00:15:05,371
in all of the Indian boarding schools.

258
00:15:05,371 --> 00:15:06,171
You know, the

259
00:15:06,171 --> 00:15:09,909
the preponderance of deaths
of young students at all of those schools,

260
00:15:10,442 --> 00:15:11,644
including Carlisle,

261
00:15:13,045 --> 00:15:14,446
you know, where

262
00:15:14,446 --> 00:15:18,951
the most haunting experience for me
when I was there was was going through

263
00:15:18,951 --> 00:15:25,658
the student cemetery, you know, 186
young students who went to Carlisle

264
00:15:25,658 --> 00:15:29,461
and never got back to their homelands
because they died there.

265
00:15:29,828 --> 00:15:32,097
And that's just a partial number of them.

266
00:15:32,698 --> 00:15:35,434
Of those who got sick or died.

267
00:15:36,268 --> 00:15:39,104
So, you know, the motto of the Carlisle
School

268
00:15:39,838 --> 00:15:44,176
was that, you know, unbelievable,
“kill the Indian, save the man”

269
00:15:44,810 --> 00:15:47,613
that was meant to be a progressive idea.

270
00:15:48,113 --> 00:15:50,883
You know that the well-intentioned white

271
00:15:50,883 --> 00:15:53,652
people, rather than literally killing

272
00:15:53,886 --> 00:15:57,923
Native Americans,
would try to make them white to save them.

273
00:15:58,390 --> 00:15:59,725
That was the whole process.

274
00:15:59,725 --> 00:16:02,361
It was forced assimilation.

275
00:16:03,462 --> 00:16:07,633
And so, you know,
Jim Thorpe went through that process,

276
00:16:07,967 --> 00:16:11,804
like most of the young
Native Americans who did

277
00:16:13,172 --> 00:16:15,307
he didn't fully buy into it.

278
00:16:15,307 --> 00:16:18,210
It didn't fully change him, he maintained

279
00:16:18,210 --> 00:16:21,447
his Native American identity,
as did so many.

280
00:16:22,381 --> 00:16:24,583
But that was the process
that they had to deal with.

281
00:16:25,050 --> 00:16:30,155
And it was something that
that sort of reflected

282
00:16:30,155 --> 00:16:33,659
everything that Native Americans dealt
with throughout their lives.

283
00:16:34,727 --> 00:16:37,663
One of the one of the themes
that runs through

284
00:16:37,663 --> 00:16:43,168
the book is the number of people
who really took advantage of,

285
00:16:43,502 --> 00:16:47,373
used Jim Thorpe in many ways.

286
00:16:47,373 --> 00:16:51,810
And one of those was Pop Warner,
the great football

287
00:16:52,244 --> 00:16:54,947
well great, the football

288
00:16:54,947 --> 00:16:56,882
the successful

289
00:16:56,882 --> 00:16:59,585
football coach at the Carlisle School.

290
00:17:00,019 --> 00:17:04,423
Could you talk a little bit
about that period

291
00:17:04,423 --> 00:17:09,461
and how Pop Warner, who when
we think about Pop Warner, I mean, there's

292
00:17:09,461 --> 00:17:13,332
that whole Pop Warner football, you know,

293
00:17:13,332 --> 00:17:16,635
people revere him, you know.

294
00:17:16,635 --> 00:17:19,471
But his relationship with Thorpe
was more complicated.

295
00:17:19,838 --> 00:17:23,776
It was as it was with all of these Native
American athletes.

296
00:17:24,343 --> 00:17:29,548
He was a it was a innovative
and brilliant football coach.

297
00:17:30,149 --> 00:17:36,255
He developed many of the formations
that are still in use today.

298
00:17:36,255 --> 00:17:39,525
And he was an early proponent
of the forward pass,

299
00:17:39,525 --> 00:17:42,761
which only became legal
while he was at Carlisle.

300
00:17:44,463 --> 00:17:47,299
And you know, he had winning teams.

301
00:17:48,333 --> 00:17:50,402
The Carlisle Indian School

302
00:17:50,402 --> 00:17:55,541
defeated all of the great schools
in the East Coast, which that period,

303
00:17:55,541 --> 00:17:58,710
unbelievably, were Ivy League schools,
you know,

304
00:17:58,710 --> 00:18:02,448
Yale and Penn and Harvard and Princeton
plus West Point

305
00:18:02,448 --> 00:18:06,218
and Syracuse and a few others.

306
00:18:06,218 --> 00:18:11,223
And his his team was incredibly popular

307
00:18:11,990 --> 00:18:14,626
wherever they played

308
00:18:14,626 --> 00:18:17,062
there would be sellout crowds.

309
00:18:17,763 --> 00:18:21,533
But the irony there, Nancy, is
that people came to see them play

310
00:18:21,533 --> 00:18:24,636
because they were good,
but also because they were exotic.

311
00:18:24,670 --> 00:18:26,605
They were Indians. Right.

312
00:18:26,605 --> 00:18:27,773
But they were playing for a school

313
00:18:27,773 --> 00:18:31,310
that was trying to drum that part of them out,
make them white, you know.

314
00:18:31,743 --> 00:18:35,180
So but anyway, Pop Warner,

315
00:18:35,180 --> 00:18:37,983
brilliant coach,
not a brilliant human being.

316
00:18:39,151 --> 00:18:41,487
By the end of his tenure at Carlisle,

317
00:18:41,820 --> 00:18:45,824
his players had turned against him, said
he was physically and mentally abusive.

318
00:18:46,625 --> 00:18:49,995
And at the crisis point of 

319
00:18:49,995 --> 00:18:54,466
Jim Thorpe's life,
when his medals were rescinded,

320
00:18:54,466 --> 00:18:59,271
taken away from him after the Olympics
because he played minor league baseball,

321
00:19:00,439 --> 00:19:03,642
Pop Warner lied about it
to save his own reputation.

322
00:19:03,909 --> 00:19:09,448
Yeah. Another person who doesn't come off
very well and in the biography

323
00:19:09,615 --> 00:19:14,486
is Avery Brundage, the head of the IOC,
the International Olympic Committee.

324
00:19:15,320 --> 00:19:18,290
Well, Brundage doesn't come across
well in any of my books.

325
00:19:18,290 --> 00:19:23,662
He's in another one too, a book
I wrote about the 1960 Rome Olympics.

326
00:19:23,662 --> 00:19:28,333
And even in a book that my son
Andrew wrote about the 1936 Olympics.

327
00:19:28,667 --> 00:19:31,637
He was a miserable human being

328
00:19:31,637 --> 00:19:33,438
and, you know,

329
00:19:33,438 --> 00:19:35,941
the interesting thing
about his relationship with Thorpe

330
00:19:36,542 --> 00:19:41,713
was that he, too, was a decathlete
at those 1912 Stockholm games.

331
00:19:42,214 --> 00:19:44,950
He was not very good. He was mediocre.

332
00:19:44,950 --> 00:19:48,053
Thorpe crushed him in the competitions,

333
00:19:48,420 --> 00:19:52,758
and Brundage actually dropped out
before the final of the ten events

334
00:19:53,425 --> 00:19:57,296
because he was being beaten so badly,
which sort of goes against his

335
00:19:57,296 --> 00:20:03,101
whole notion of it's not what nationality
you represent or how you perform,

336
00:20:03,101 --> 00:20:07,372
but just the beauty of amateurism,
which was a sham from the beginning.

337
00:20:07,773 --> 00:20:11,210
But in any case, after that period,

338
00:20:11,210 --> 00:20:15,414
he rose to become, as you say, the head
of the International Olympic Committee.

339
00:20:15,781 --> 00:20:19,885
And for decades,
he refused to give Jim Thorpe his do.

340
00:20:19,918 --> 00:20:22,921
It wasn't
until after Brundage was dead and gone

341
00:20:22,921 --> 00:20:26,992
that Thorpe finally got his
medals restored in records.

342
00:20:28,093 --> 00:20:30,095
And another theme that runs

343
00:20:30,095 --> 00:20:32,764
through the book is the way Jim Thorpe

344
00:20:33,899 --> 00:20:38,303
was exoticized,
but was kind of romanticized

345
00:20:38,403 --> 00:20:42,441
and dehumanized at the same time.

346
00:20:42,774 --> 00:20:47,212
And and you talk about the phrase 
“lo, the poor Indian.”

347
00:20:47,579 --> 00:20:50,515
Could could you expand on that?

348
00:20:50,515 --> 00:20:53,752
Well, I think that one of the central

349
00:20:53,752 --> 00:20:56,255
threads of the book is that that

350
00:20:57,322 --> 00:20:59,558
way of dealing with Native Americans

351
00:20:59,558 --> 00:21:02,394
romanticizing
and diminishing them at the same time.

352
00:21:03,295 --> 00:21:05,731
It’s common with all of them,
not just Jim Thorpe. And that’s

353
00:21:06,298 --> 00:21:08,500
white society dealt with Indians.

354
00:21:08,500 --> 00:21:10,869
You know, there are
you know people would say that

355
00:21:11,603 --> 00:21:16,108
we would probably say that they had
some Cherokee blood in them, you know, white people.

356
00:21:16,308 --> 00:21:19,111
They would never say that
about having African American blood.

357
00:21:19,111 --> 00:21:24,583
It there's a different sensibility based
on, you know, the history of the two.

358
00:21:25,017 --> 00:21:25,751
You know, even though,

359
00:21:26,852 --> 00:21:27,252
you know,

360
00:21:27,252 --> 00:21:32,024
African Americans were enslaved
and Native Americans were killed,

361
00:21:33,058 --> 00:21:35,360
the white society
dealt with them differently.

362
00:21:36,194 --> 00:21:38,196
So, “lo, the poor Indian” is a phrase that

363
00:21:38,730 --> 00:21:42,301
for reasons that I can't tell you,
Nancy, became

364
00:21:42,934 --> 00:21:47,939
popularized by sportswriters
in the early parts of the 20th century.

365
00:21:48,106 --> 00:21:52,844
Whenever they're writing about Indians
that use that phrase, it became so popular

366
00:21:53,278 --> 00:21:56,315
that they could just write 
“lo poor” or “lo,”

367
00:21:56,315 --> 00:21:58,650
and the readers would know
what they were talking about.

368
00:22:00,018 --> 00:22:02,087
And it could be used for better or worse.

369
00:22:02,954 --> 00:22:06,992
You know, if a Native American was suffering
in some sense “lo, the poor Indian.”

370
00:22:07,759 --> 00:22:11,496
If they were defeating the white,
the white team of football.

371
00:22:11,496 --> 00:22:12,331
“Lo, the poor Indian.”

372
00:22:12,331 --> 00:22:16,468
Nonetheless, for Jim Thorpe,
it was very commonly applied to him

373
00:22:16,468 --> 00:22:20,372
after he lost his gold medals
and so many of the events that he suffered

374
00:22:20,372 --> 00:22:21,273
throughout in his life.

375
00:22:22,808 --> 00:22:23,642
You mentioned at the

376
00:22:23,642 --> 00:22:29,381
beginning of of when we started talking
about the the biographical film

377
00:22:29,381 --> 00:22:32,284
that was made of him
starring Burt Lancaster.

378
00:22:32,484 --> 00:22:36,722
That's that's ironic in and of itself.

379
00:22:36,722 --> 00:22:37,289
Did...

380
00:22:37,289 --> 00:22:40,158
And there's a scene in the book where Jim,

381
00:22:40,292 --> 00:22:45,263
one of Jim Thorpe's daughters,
is waiting for a bus and the film

382
00:22:45,263 --> 00:22:49,735
is playing at the movie theater
across the street, I believe it was.

383
00:22:50,702 --> 00:22:53,372
Did he see the film?

384
00:22:53,372 --> 00:22:54,272
He saw it.

385
00:22:54,272 --> 00:22:58,076
And his wife,
his third wife, Patsy, saw it.

386
00:22:59,611 --> 00:23:01,380
He was given

387
00:23:01,380 --> 00:23:07,486
a modest, modest salary
for being a consultant on the film.

388
00:23:07,486 --> 00:23:11,490
But but the people who produced it
didn't really consult him much at all.

389
00:23:12,023 --> 00:23:14,960
And he had very mixed
feelings about the movie.

390
00:23:16,027 --> 00:23:19,231
First, I mean, you know, Burt
Lancaster is a movie star,

391
00:23:19,498 --> 00:23:21,700
he’s actually a very good athlete as well.

392
00:23:22,234 --> 00:23:25,570
So in that sense, you know,
it was could have been worse.

393
00:23:26,505 --> 00:23:29,775
Thorpe always wanted a Native American
to play him.

394
00:23:29,775 --> 00:23:35,580
And a matter of fact,
you know, for much of that latter

395
00:23:35,580 --> 00:23:38,016
period of his life,
he lived in Southern California

396
00:23:38,583 --> 00:23:41,186
and worked on the fringes 
of the studio industry.

397
00:23:41,686 --> 00:23:44,990
It appears in more than 70 films,
you know, as an extra

398
00:23:44,990 --> 00:23:47,492
or a very minor character.

399
00:23:47,492 --> 00:23:50,662
But during that period,
he was constantly campaigning

400
00:23:51,363 --> 00:23:53,832
for the studios to hire

401
00:23:53,965 --> 00:23:56,968
real Indians, to play Indians, real Native

402
00:23:56,968 --> 00:24:00,272
Americans, to play Native Americans,
which they often did not do.

403
00:24:00,772 --> 00:24:05,444
So it's classic that in this case
it would not be a Native American playing

404
00:24:05,444 --> 00:24:11,016
Jim Thorpe, the director of
that movie, Michael Curtiz,

405
00:24:12,184 --> 00:24:15,120
was an excellent
director who directed Casablanca.

406
00:24:15,454 --> 00:24:19,825
So, you know, it had it had a pretty high
powered people behind it.

407
00:24:20,559 --> 00:24:23,195
And, you know, in essence, it's

408
00:24:23,195 --> 00:24:25,764
a sympathetic movie, but it's wrong.

409
00:24:26,398 --> 00:24:28,867
And it's, the most

410
00:24:28,867 --> 00:24:31,136
wrong thing about it
is something we talked about.

411
00:24:31,136 --> 00:24:34,372
Pop Warner,
who is the narrator of the movie.

412
00:24:34,840 --> 00:24:39,277
And the implication is that
if only Thorpe had listened to Pop

413
00:24:39,277 --> 00:24:44,182
and more successfully assimilated
into white society, he wouldn't suffer,

414
00:24:44,216 --> 00:24:47,719
wouldn't have suffered the way he did,
which is, you know, it's just wrong.

415
00:24:48,386 --> 00:24:50,922
So that that's the way I view the movie.

416
00:24:50,922 --> 00:24:54,693
And there's a chapter in the book
sort of deconstructing all of that.

417
00:24:54,893 --> 00:24:55,627
Right.

418
00:24:55,627 --> 00:24:57,662
Was what was the thing that most

419
00:24:57,662 --> 00:25:00,932
I guess this is
got to be our last question but, sadly.

420
00:25:01,032 --> 00:25:06,671
But what is the what was the thing that
surprised you the most in doing the book?

421
00:25:06,671 --> 00:25:10,542
Because when I was reading it,
the thing that surprised me the most was

422
00:25:10,542 --> 00:25:16,448
that was it Marianne Moore, the poet
who taught at the Carlisle Indian School?

423
00:25:16,448 --> 00:25:18,717
I thought, that is wow.

424
00:25:18,717 --> 00:25:20,051
Who would have thought?

425
00:25:20,051 --> 00:25:21,753
Oh, I agree completely.

426
00:25:21,753 --> 00:25:22,487
Oh, yeah.

427
00:25:22,487 --> 00:25:23,822
I mean, it's not a huge thing,

428
00:25:23,822 --> 00:25:26,558
but who would have thought
this great American poet?

429
00:25:26,925 --> 00:25:30,562
You know, she was 23, just out of Bryn Mawr,

430
00:25:30,929 --> 00:25:34,733
and her family lived in Carlisle,
Pennsylvania, and she taught there.

431
00:25:35,600 --> 00:25:39,571
And I went up to the Rosenbach
Library in Philadelphia

432
00:25:40,005 --> 00:25:44,142
and found a sort of a partial or a memoir
that she wrote where she talks

433
00:25:44,142 --> 00:25:46,545
about all of that
and some other materials up there

434
00:25:46,978 --> 00:25:49,147
that allowed me
to introduce her into the book.

435
00:25:50,315 --> 00:25:52,183
And yeah, I just...

436
00:25:52,183 --> 00:25:56,154
you know, she's probably
the jewel of the so so many,

437
00:25:56,154 --> 00:26:01,493
many famous people who somehow intersected
with Jim Thorpe throughout his life,

438
00:26:01,493 --> 00:26:04,896
you know, from the generals, Dwight
Eisenhower, who played football

439
00:26:04,896 --> 00:26:08,567
against him, and George Patton,
who was on the Olympic team with him

440
00:26:09,167 --> 00:26:09,901
all the way through.

441
00:26:09,901 --> 00:26:14,205
You find all of these characters
that Marianne Moore was the most

442
00:26:15,407 --> 00:26:18,043
surprising and delightful.

443
00:26:19,044 --> 00:26:21,046
So, I guess we could say that

444
00:26:21,046 --> 00:26:25,951
Jim Thorpe was the Kevin Bacon of his day.

445
00:26:26,284 --> 00:26:27,752
Yeah, that's right.

446
00:26:27,752 --> 00:26:29,988
He was.

447
00:26:30,722 --> 00:26:33,158
One of the things that I just

448
00:26:33,158 --> 00:26:36,995
so admire about your books
is the way you take a subject.

449
00:26:37,329 --> 00:26:40,999
And you alluded to this at the beginning,
how you take a subject

450
00:26:40,999 --> 00:26:44,235
and give us give us the readers,

451
00:26:45,003 --> 00:26:50,342
the whole picture of the society,
because it would be so easy.

452
00:26:51,409 --> 00:26:52,110
I mean, it's never

453
00:26:52,110 --> 00:26:57,882
easy, but but without all of that
context, there's no way of understanding

454
00:26:57,882 --> 00:27:02,754
who Jim Thorpe was or any of the people
whose biographies, you know.

455
00:27:02,988 --> 00:27:04,422
Yeah, I'm glad you say that.

456
00:27:04,422 --> 00:27:08,026
I mean, that's
that's my philosophy of what I do.

457
00:27:08,526 --> 00:27:12,430
You know, there are always going to be
a few reviewers who say, you know,

458
00:27:12,631 --> 00:27:13,565
there's too much of that.

459
00:27:13,565 --> 00:27:16,868
But I don't care if they say that
because that's what I do.

460
00:27:16,901 --> 00:27:19,804
I mean, that's the way I want to do it.

461
00:27:19,804 --> 00:27:24,442
And so, I mean, because I believe deeply
that to understand

462
00:27:24,442 --> 00:27:30,515
someone in their fullness, you have to see
the forces that shaped them.

463
00:27:30,815 --> 00:27:33,618
So that includes, you know, geography

464
00:27:33,618 --> 00:27:36,688
and family and the context of their time.

465
00:27:36,788 --> 00:27:38,089
Right. Right.

466
00:27:38,089 --> 00:27:41,860
David Maraniss, thank you so much
for being on Book Lust today.

467
00:27:42,127 --> 00:27:46,731
And I'm so glad I finally got to meet you
in person, more or less.

468
00:27:47,132 --> 00:27:50,335
I hope I get out to Seattle
someday and we can meet.

469
00:27:51,369 --> 00:27:53,772
What did they say in IRL.

470
00:27:53,772 --> 00:27:56,675
Yes. Right, right, IRL.

471
00:27:56,675 --> 00:27:59,010
Okay. I will look forward to that.

472
00:27:59,044 --> 00:28:01,179
Thank you so much. Okay.

473
00:28:01,179 --> 00:28:02,781
Bye bye. Bye.
