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(funky music)

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-: Hi, my name is Eduardo Mendonça.

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I'm very happy to be here with you today.

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I'm sharing the most popular Brazilian rhythm,

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it's called Samba.

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And to learn a basic part of the Samba,

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we just need something very easy.

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I'm using two

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cooking pans, okay?

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And I'm gonna be calling the cooking pans by numbers,

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I'm gonna be call this one here my left,

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that's gonna be your right.

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You're gonna be my mirror.

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And this one here gonna be my right,

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gonna be your left, I gonna be called the number two.

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Because I need a little bit more muffled sound

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than kind of the open one,

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I will be using

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a paper towel

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to muffle this a little bit.

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(beats on pots)

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I probably want to have it a little lower

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on my right.

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My right will be your left, okay?

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It probably needs that.

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(drums beat)

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Yeah, that's the number one, and that's the number two.

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And it's very, very, very, very simple.

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They're gonna be keeping the number one and two

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on the beat one and two, like this.

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One, two,

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one two,

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one, two...

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(continues beat)

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Easy, like.

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But Samba has one very special element,

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which is the call and the response.

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And we're gonna start actually doing these

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as the intro, the intro.

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The main drums will play something like this.

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(raps out rhythm)

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I'll try again.

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(raps out rhythm)

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Kay, let's listen one more time.

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(raps out rhythm)

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Beautiful.

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When I say, "go," you're gonna do it with me.

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Kay, one, two, three, go.

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(raps out rhythm)

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Yes!

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Let's try again.

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If you make any mistake, that's fine.

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We can try over and over again.

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That's fine to make mistakes.

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Okay, have to keep trying.

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Let's keep it working again.

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Let's do after me, okay, here you go.

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(raps out rhythm)

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One, two, three, your turn.

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Yes!

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Okay, how about if we do it together.

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Here we go one, two, three, here you go.

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(raps out rhythm)

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Oh, hah! (laughs)

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I knew we could do that together.

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This time, we gonna learn how to do the response.

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When you go for the part you just learned,

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(raps out rhythm)

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(hits pans twice)

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and then we hit your pot drums,

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let's call our cooking-ware

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pans, okay, drums.

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And let's say (raps out rhythm)

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boom, boom.

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You see the response?

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That's the response.

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Okay, let's try again.

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One, two, one, here you go.

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(raps out rhythm)

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(hits pots twice)

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Yes!

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Okay, we did it, right?

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And then, now, because that's the intro, the introduction,

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we gonna start to repeat.

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Kay, right after (raps out rhythm)

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boom, boom.

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One, two, one, two, one, two, one, two.

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Okay?

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Let's try that.

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Let's try the intro, or the call,

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and we will do, we start our beat one and two.

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One, two, and go.

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(raps out rhythm)

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Boom boom, one, two, one, two,

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one, two, one two...

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(continues beat)

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Yes, yes!

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(laughs) You can do a little move as well;

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can do a little dance if you like.

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That's all good.

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Now let's talk about the outro

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The outro, the way you finish

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and the way you go out of the rhythm,

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you're gonna do the same thing.

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(raps a rhythm)

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Boom, boom.

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The only difference is when we gonna do the outro,

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I gonna do the call while you play.

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You're still on your one and two, right.

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(bangs pots)

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And they're gonna be called the outro,

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and then you keep playing.

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(raps out rhythm)

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One, two.

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Got it?

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Yeah?

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Yes.

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So you see the difference?

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At the beginning, nobody's playing.

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(raps out rhythm)

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Boom, boom.

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Right?

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And then we start the rhythm.

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Let's do it again.

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(raps out rhythm)

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Boom, boom, one, two, one, two, yes.

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And then for the outro,

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you're gonna be already the beat.

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(bangs pots)

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And then do the call out.

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(raps out rhythm)

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Yes!

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So now we have the intro, we have the one-two

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as the body of the rhythm, as a power frame of the rhythm,

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and you have the outro.

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Let's do it: the intro, the rhythm, and the outro.

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Are you guys ready?

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Here you go.

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(raps out rhythm)

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Boom boom, one, two, one, two, one, two, one, two...

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(continues beat)

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Here's coming the outro.

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(raps out rhythm)

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Yes.

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Now I would love to have you doing the intro with me.

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Okay, I'm gonna be call one, two, one, go.

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(raps out rhythm)

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Boom, boom.

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Got it?

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So you can do it, yes.

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Let's do it together.

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The intro we do together and then the outro.

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Are you counting, and you're gonna be stop the outro

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and the parts that you already know.

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Here you go.

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Intro: let's do it together.

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One, two, one, here you go.

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(raps out rhythm)

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Oops, you know what I did?

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How I explained together here, right?

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Yes, so you know it's that.

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I will not doing this.

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I'm gonna be only do the call

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and then the response here for the intro.

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Let's do again.

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Because that's okay to make mistake.

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I just made one.

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Here you go.

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One, two, one, here you go.

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(raps out rhythm)

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Boom boom, one, two, one, yeah!

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(continues beat)

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Like keep going, one and two,

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beautiful, yeah.

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How about do a dance, you move.

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Don't forget to smile.

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(continues beat)

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(raps out rhythm)

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Whoa, we got it!

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We need a little bit more spice, right?

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The spice will be a break that gonna be doing this break.

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And the middle of my rhythm.

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Let me call this break one-to-four, okay?

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One-to-four.

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The break goes like this:

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one,

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one, two,

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one, two, three,

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one, two, three, four.

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That's it!

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Let me count it again.

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One,

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one, two,

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one, two, three,

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one, two, three, four.

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That's one more time, here we go.

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One, two, three, here we go.

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One, and wait for two

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one, two, and wait for three,

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one, two, three, and now go to four,

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one, two, three, four.

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Beautiful.

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Now I'm gonna be counting and you will count.

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I'm gonna show on my fingers the numbers

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and as well, the tempo and the breaks

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that you have to do between the numbers.

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Kay, now it's your turn.

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One, two, three, here you go!

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And wait for two.

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And wait for three.

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And wait for four.

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Wow, yes!

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Let's do it again.

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Now we're gonna be join you.

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I'm jealous, I wanna do that with you.

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Here you go; one, two, three, here you go!

217
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One, and wait for two.

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One, two, and wait for three.

219
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One, two, three, and wait for four.

220
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One, two, three, four.

221
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How 'bout let's do that in the drums.

222
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Here you go; one, two, one, here you go.

223
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One, and wait for two.

224
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One, two, and wait for three.

225
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One, two, three, and wait for four.

226
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One, two, three, four.

227
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Beautiful!

228
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So, now, how that work is going to respond.

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First, I'm gonna do the count one-to-four,

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and then you're gonna be responding twice the same thing.

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Got it?

232
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Don't worry if you didn't because we gonna try it right now,

233
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and you gonna be understanding what I'm talking about.

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I called first time, and then you do twice the same thing.

235
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Okay, now my turn, okay?

236
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Listen up.

237
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One.

238
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Me.

239
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One, two.

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One, two, three.

241
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One, two, three, four.

242
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Now you with me.

243
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One, and go for two.

244
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One, two, and wait for three.

245
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One, two, three, and wait for four.

246
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One, two, three, four.

247
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Once again!

248
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One, and wait for two.

249
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One, two, and wait for three.

250
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One, two, three, and wait for four.

251
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One, two, three, four.

252
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Yes!

253
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Okay, hah!

254
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Are you having fun?

255
00:10:37,370 --> 00:10:38,203
Yeah!

256
00:10:38,203 --> 00:10:42,440
So now what we're gonna do is, let's start with the beat:

257
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one and two.

258
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And then gonna do the call and four for the break,

259
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and you guys keep playing, okay.

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Play.

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It's the same thing we did with the outro, remember?

262
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You keeping doing your beat

263
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until your time to respond one-to-four.

264
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How many times?

265
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How many times?

266
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Yes, twice.

267
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You got it.

268
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Here you go.

269
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One, two, three, here you go.

270
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One, two, one, two.

271
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And you keep playing because right now I'm gonna start you

272
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with my break

273
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while you keep playing.

274
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Play through, okay?

275
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(continues beat)

276
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Here you go.

277
00:11:20,159 --> 00:11:20,992
One.

278
00:11:22,490 --> 00:11:23,323
One, two.

279
00:11:25,020 --> 00:11:26,263
One, two, three.

280
00:11:27,570 --> 00:11:29,680
One, two, three, four.

281
00:11:29,680 --> 00:11:32,350
Now, one and wait for two.

282
00:11:32,350 --> 00:11:34,760
One, two, and wait for three.

283
00:11:34,760 --> 00:11:37,031
One, two, three, and wait for four.

284
00:11:37,031 --> 00:11:38,340
One, two, three, four.

285
00:11:38,340 --> 00:11:39,540
Once again, remember.

286
00:11:39,540 --> 00:11:41,783
One, and wait for two.

287
00:11:41,783 --> 00:11:44,310
One, two, and wait for three.

288
00:11:44,310 --> 00:11:46,610
One, two, three, and now for four.

289
00:11:46,610 --> 00:11:48,132
One, two, three, four.

290
00:11:48,132 --> 00:11:48,965
Yes!

291
00:11:48,965 --> 00:11:50,420
Okay, we did it.

292
00:11:50,420 --> 00:11:52,280
Let's now--

293
00:11:52,280 --> 00:11:55,111
Remember, when you do the one-to-four,

294
00:11:55,111 --> 00:11:56,444
this one-to-four

295
00:11:58,460 --> 00:12:00,420
can be also the outro.

296
00:12:00,420 --> 00:12:05,420
If I don't say again, (raps out rhythm), boom boom.

297
00:12:05,670 --> 00:12:07,600
That means start over, right?

298
00:12:07,600 --> 00:12:09,377
But if I don't say anything after the

299
00:12:09,377 --> 00:12:11,729
"one, two, three, four," that means

300
00:12:11,729 --> 00:12:13,160
the outro's right there.

301
00:12:13,160 --> 00:12:16,200
So we have the option to have the outro

302
00:12:16,200 --> 00:12:19,550
or in the breaking, the four, or the outro

303
00:12:19,550 --> 00:12:21,290
in the way you learned before.

304
00:12:21,290 --> 00:12:23,350
So let's do whole thing.

305
00:12:23,350 --> 00:12:24,893
Have the intro,

306
00:12:26,090 --> 00:12:29,320
the rhythm with the one-four break,

307
00:12:29,320 --> 00:12:30,530
into the outro.

308
00:12:30,530 --> 00:12:31,980
Let's do that.

309
00:12:31,980 --> 00:12:33,140
Yeah.

310
00:12:33,140 --> 00:12:35,420
After you do the four, it gonna be feel

311
00:12:35,420 --> 00:12:37,820
how we gonna be bringing back in again.

312
00:12:37,820 --> 00:12:38,653
Here you go.

313
00:12:39,861 --> 00:12:41,680
(raps out rhythm)

314
00:12:41,680 --> 00:12:43,000
Oh, let's do it together!

315
00:12:43,000 --> 00:12:45,393
It go one, two, three, here you go.

316
00:12:45,393 --> 00:12:48,732
(raps out rhythm)

317
00:12:48,732 --> 00:12:49,565
Boom, boom.

318
00:12:49,565 --> 00:12:52,071
One, two, one, two, yeah!

319
00:12:52,071 --> 00:12:54,050
(continues beat)

320
00:12:54,050 --> 00:12:55,210
Hey, your little dance

321
00:12:56,600 --> 00:12:58,033
and your beautiful smile.

322
00:12:59,583 --> 00:13:01,530
(continues beat)

323
00:13:01,530 --> 00:13:03,713
Here we go then we call the break, okay?

324
00:13:04,927 --> 00:13:05,760
Ta,

325
00:13:07,364 --> 00:13:08,197
ta, ta,

326
00:13:09,883 --> 00:13:10,800
ta, ta, ta,

327
00:13:12,640 --> 00:13:13,770
ta, ta, ta, ta.

328
00:13:13,770 --> 00:13:14,860
Now your turn!

329
00:13:14,860 --> 00:13:17,470
Ba, and wait for two.

330
00:13:17,470 --> 00:13:19,940
One, two, and wait for three.

331
00:13:19,940 --> 00:13:22,280
One, two, three, and wait for four.

332
00:13:22,280 --> 00:13:23,650
One, two, three, four.

333
00:13:23,650 --> 00:13:24,810
Again, remember.

334
00:13:24,810 --> 00:13:27,340
One, and wait for two.

335
00:13:27,340 --> 00:13:29,830
One, two, and wait for three.

336
00:13:29,830 --> 00:13:32,160
One, two, three, and last four.

337
00:13:32,160 --> 00:13:33,470
One, two, three four.

338
00:13:33,470 --> 00:13:34,473
I bring you again.

339
00:13:34,473 --> 00:13:37,363
(raps out rhythm)

340
00:13:37,363 --> 00:13:41,613
Boom, boom, one, two, one, two, one, two, one, two,

341
00:13:42,972 --> 00:13:44,722
one, two, one, two...

342
00:13:45,623 --> 00:13:47,120
(continues beat)

343
00:13:47,120 --> 00:13:50,164
And now, let me play the outro.

344
00:13:50,164 --> 00:13:51,310
Are you done?

345
00:13:51,310 --> 00:13:53,000
Ready, you go.

346
00:13:53,000 --> 00:13:54,223
Remember, keep playing.

347
00:13:56,093 --> 00:13:58,911
(raps rhythm)

348
00:13:58,911 --> 00:14:00,560
(bangs pots twice)

349
00:14:00,560 --> 00:14:01,831
Whoa!

350
00:14:01,831 --> 00:14:03,290
(laughs)

351
00:14:03,290 --> 00:14:07,230
How 'bout now, if you play whole thing together

352
00:14:07,230 --> 00:14:09,120
for the last time.

353
00:14:09,120 --> 00:14:09,953
Ready?

354
00:14:09,953 --> 00:14:11,398
Here you go.

355
00:14:11,398 --> 00:14:14,311
(raps out rhythm)

356
00:14:14,311 --> 00:14:15,144
Boom, boom,

357
00:14:15,144 --> 00:14:16,679
one, two, one...

358
00:14:16,679 --> 00:14:19,980
(continues beat)

359
00:14:19,980 --> 00:14:20,813
Ba.

360
00:14:22,450 --> 00:14:23,283
Ba, ba.

361
00:14:24,848 --> 00:14:27,398
Ba, ba, ba.

362
00:14:27,398 --> 00:14:28,627
Ba, ba, ba, ba.

363
00:14:28,627 --> 00:14:29,678
Here you go!

364
00:14:29,678 --> 00:14:31,980
Ba, and wait for two.

365
00:14:31,980 --> 00:14:34,360
One, two, and wait for three.

366
00:14:34,360 --> 00:14:36,593
One, two, three, and wait for four.

367
00:14:36,593 --> 00:14:37,890
One, two, three, four.

368
00:14:37,890 --> 00:14:38,980
Again, go.

369
00:14:38,980 --> 00:14:41,180
One, and wait for two.

370
00:14:41,180 --> 00:14:43,720
One, two, and wait for three.

371
00:14:43,720 --> 00:14:46,060
One, two, three, and wait for four.

372
00:14:46,060 --> 00:14:47,687
One, two, three, four.

373
00:14:47,687 --> 00:14:49,929
(raps out rhythm)

374
00:14:49,929 --> 00:14:50,769
Boom, boom.

375
00:14:50,769 --> 00:14:54,019
One, two, one, two, one, two, one, two.

376
00:14:55,518 --> 00:14:58,351
(raps out rhythm)

377
00:14:59,979 --> 00:15:01,180
Yes!

378
00:15:01,180 --> 00:15:03,960
So that's all.

379
00:15:03,960 --> 00:15:08,850
I'm so happy to have the chance to play together with you,

380
00:15:08,850 --> 00:15:11,970
to share this Brazilian rhythm.

381
00:15:11,970 --> 00:15:14,320
Oh, could you remind me what's the rhythm name?

382
00:15:15,600 --> 00:15:16,820
What?

383
00:15:16,820 --> 00:15:18,193
Yes, Samba.

384
00:15:18,193 --> 00:15:23,120
And the Samba is the most or the least

385
00:15:23,120 --> 00:15:24,473
popular Brazilian rhythm?

386
00:15:25,720 --> 00:15:29,600
Yes, that's right; the most popular Brazilian rhythm.

387
00:15:29,600 --> 00:15:32,930
My name is Eduardo Mendonça, I'm very happy to be here

388
00:15:32,930 --> 00:15:36,980
with you today, and then let's say "bye" in Portuguese.

389
00:15:36,980 --> 00:15:38,353
Let's say, "Tchau."

390
00:15:39,729 --> 00:15:40,979
Again, "Tchau."

391
00:15:42,819 --> 00:15:43,889
Tchau!

392
00:15:43,889 --> 00:15:46,389
(funky music)