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(upbeat jazzy music)

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-: Hi, I'm Janet Fagan

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and today we are going to be using the portrait

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as a way to explore self expression and identity.

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So we're gonna be using materials that you can make yourself

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or that you probably have on hand at home

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and we'll need to be in a place

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where you can see a reflection of yourself

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and hopefully have a good light source

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on one side of your face.

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I'm sitting in front of a big mirror here

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and you can see that I have light coming from my right side.

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You can go into your bathroom if you like,

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sit in front of the mirror in there

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if you have a lamp that you can pull in there with you

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to create a light,

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maybe turn off all the other lights except for the lamp.

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Even a hand mirror will work well

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if you can prop it up on something to keep it steady

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while you're drawing.

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That's a great tool.

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Or a makeup mirror maybe on a stack of books

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or something to keep that handy.

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The other things that you're gonna need,

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you're gonna need some paper that you can work on,

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couple of sheets.

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I also have part of a paper bag here

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that I'm gonna be using.

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You might wanna get that ready

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and then you'll see that I also have several piles

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of different colors that I've cut out from magazines.

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So make sure these are magazines that nobody's reading

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or wanting to look at again.

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But I have separated the colors

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into reds, oranges, and yellows or warm colors;

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blues, greens, and purples or cool colors;

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and then some darks

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just to make them a little bit easier to find.

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The other thing that I've done

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is a way to prep my materials is I've done some writing.

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So this is just different thoughts that I've had,

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pieces of poems that I've written,

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some stream of consciousness thinking,

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just words that are meaningful to me

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and I've taken colored pencils, a regular pencil,

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and a magic marker and just put them in different blocks

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trying to use different handwriting,

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different ways to make these blocks of texts feel different.

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I have a couple of light ones for areas

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where I may wanna have a little more light

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and then I have some deeper darker ones

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for areas where I may wanna show some darker areas

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or some shadows.

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So if you wanna prepare that

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or you can look for text from other sources.

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This is just a page, an index out of an old atlas

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that is actually out of date

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because the world has changed since this atlas was created

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and so I was able to pick it up at the Goodwill

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for just a couple of bucks and I've had it for a long time,

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I use it every now and then,

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and I just decided to pull a page out

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that represents Seattle.

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So Seattle is on this index page and that's where I'm from.

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So, there ya have it, some materials to get us started.

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Then once you're set up in front of your mirror

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with your light

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you're gonna start with just some really general observing.

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Get this hand mirror out of the way.

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So I'm just using a number two pencil here

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and this will work just fine for you.

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You're also gonna need scissors today and a glue stick.

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So observing, I'm looking at myself.

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I'm looking at myself head on

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and I'm just gonna create a very simple line drawing

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of myself because what I'm gonna do

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is I'm gonna create a line drawing

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and then I'm actually gonna cut it up

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and I'm gonna cut out the shapes that I find

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to create positive and negative shapes

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that I can then turn into collage elements and stencils.

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So I'll show you what I mean about that in a minute.

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But first, I'm just gonna take some time

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to sketch out a very simple likeness of myself.

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So I'm starting with a big oval for my head

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and then a cylinder for my neck,

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a line for my shoulders,

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a line suggesting the scoop of my T shirt that I have on,

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and then I'm gonna just give myself a little bit of help

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keeping things organized in my drawing

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with a proportion map.

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So I made a center line top to bottom,

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center line again from side to side

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to just give me a guide where my glasses are gonna fall,

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and then a center line representing the bottom of my nose

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between the eye line and the chin,

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and then one more center line for my mouth

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between the bottom of the nose and the chin.

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Okay so I'm gonna start, I'm gonna start with my glasses

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because they're giant and I can see them really well

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and they make a big shape.

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So just starting with the bridge,

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sketching out the big shape of my glasses.

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This'll come into play in a little bit.

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And then I'm gonna look at just the outline of my nose.

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I'm not worried about the details

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I just want very, very, very simple shapes.

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So what I see is the side of my nose flares out

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into the sides of my nostrils

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and then the bottom of my nose is kind of a wave

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making room for my nostrils

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and then the bottom of the ball of my nose

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which comes down.

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My mouth, I'm gonna look at it closed and not moving

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so I can get a feel

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for what the outline of my mouth looks like.

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Okay so just really simple.

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Top and bottom lip,

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extending my chin just a little bit

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because I got kind of a little bit off track

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from my proportion lines there,

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so I need a little more length for my chin

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and now I'm gonna look at the bit patterns of light

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on my face.

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So I see there's a big pattern of light on the side here

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that goes down behind my glasses

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and then I'm noticing that my hair is a shape,

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it kinda goes off the page like so,

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kinda triangular away from my head

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and then my hair comes in defining the side of my face.

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So I'm getting these lines here along the side of my face.

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They're defined by the hair.

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Okay and I'm gonna go over this drawing

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a little more carefully now

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because I'm gonna cut it all out in just a second

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and I wanna make sure I know where to cut.

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Now that I have my drawing outlined and emphasized

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I'm gonna go ahead and cut it out

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and I'm gonna just show you an example

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of what we're aiming for.

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This is an example that I did at home

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just to give you an idea of where we're going with this.

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So, you can see here that this

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is the negative shape of my drawing

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and this is the positive of my drawing.

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So the positive shape is actually what I've drawn,

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the drawing itself,

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and the negative shape is all the space around it

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and these are gonna be our tools for building our portrait.

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So the first step is not to cut it out to this degree.

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The first thing I wanna do is cut out just the outline

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or the silhouette and you'll see why in a sec.

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So I'm gonna just do that now.

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(fun contemporary music)

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So now I've got my silhouette cut out

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and I'm just looking at the paper that I brought with me

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and I am going to use this brown paper

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and you'll see I did the same thing when I made the demo

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and this is the cutout.

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So I'm gonna cut out the shape of my silhouette

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from the brown paper.

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So I'm just laying it flat.

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I'm gonna give it a nice dark outline.

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(fun contemporary music)

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Now I think I could use this paper as my working paper

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and collage this on like so as a starting point

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but I think I'm more interested in this.

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So, I'm gonna pick this up and use this as my background

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and it's already starting, just with that addition,

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I'm starting to tell the viewer a little bit about myself

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with this portrait.

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So it's starting

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to already have a little bit of self expression in it

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just with the choice of the background

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and the color that I'm using for my head and face

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and you're gonna, woops, can't hang on to the glue stick.

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And you are gonna have a lot of these fun choices to make

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as you go.

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So everything that you add can share a little bit

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about who you are, how you see the world,

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what you think is important,

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things that you would like people to know about you

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'cause art is a super effective way to communicate

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about who we are and what we care about to the world.

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Sometimes it's easier to make a piece of visual artwork

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with a message that is meaningful to us

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rather than to actually speak the words to someone.

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So it's a great way to express yourself.

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Okay, so next step I've got my silhouette on my background.

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Now I wanna start building in the features

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that I have in my drawing and the way that I'm gonna do that

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is I'm gonna cut them out just like I did in the demo

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and I'm gonna show you where we're going with this.

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So this is the demonstration that I did yesterday

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and you can see I had my hair up

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but the idea is using text that has meaning,

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using colors to define yourself, and you want to,

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as you're expressing your identity in your portrait,

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you always wanna have in the back of your head

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that you're making a piece of artwork

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and you want it to be harmonious

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so that the choices that you make should flow together

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in a way that your whole composition is united

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and we'll talk about that more as we go

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but you can see here for example

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I used this dark blue to float through the composition

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and carry the eye from the top to the bottom

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and side to side

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and also choosing the text in the background

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really helps to pull things together too

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and also actually gives me more leeway

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to use more variation in the face

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if I have something unifying the whole composition.

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Okay, so I'm gonna cut out all of the individual shapes here

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so that I have them to work with.

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(fun contemporary music)

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So now this is where the fun part happens

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because you get to start making those creative decisions,

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how you want to define yourself here.

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So, I am excited to use

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the text that I created.

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So I'm just gonna think for a second,

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how do I want to show my eyes?

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So I think I'm gonna go with,

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because I want to draw attention to my eyes,

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I'd like to emphasize them, so I'm gonna go with a color

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that has a good attractive quality and that's red.

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So I'm gonna go into my red text

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and I'm gonna lay my eye shape over the top of the red text

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and I'm gonna cut out the red text for my eye shape.

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So to make that a little bit easier

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I'm just gonna go into the text

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and separate it from the other blocks of text

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and the other thing that I'm gonna do

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to make it a little bit easier

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is I'm gonna flip it over so that I can trace

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not on the text itself but on the back.

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So I also flipped over my template or my shape

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at the same time

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because you want them both to be facing the same way

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so you don't get a reverse of that shape.

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(fun contemporary music)

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The next thing that I wanna do,

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just to sort of orient myself,

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is I'm gonna go for the big shape of the hair

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and so looking at my reflection in the mirror

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I know that the light is coming from one side

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so I'm gonna try and emphasize that.

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So, just to make things a little bit more straightforward

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so that I can start to see where I am,

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I'm just gonna take my pencil

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and I'm gonna outline the edges here.

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And then once I do that

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I can see where I want the color to go.

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So I'm gonna start with some light on the right side

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and some deeper darks on the left

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and I'm just gonna have fun building this.

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So I'm just laying it in right now

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just so I can get a sense for how I want to cut it.

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Okay, so now I'm just gonna take a few minutes

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and fill in the hair

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and get that how I want it by shaping the edges a little bit

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to match what I have in my drawing.

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It doesn't have to be perfect.

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I'm just thinking in big general terms right now.

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We can always tighten things up later

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but for now just keeping it really nice and loose.

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(fun contemporary music)

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So, you start to get the idea

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for how you can go back and forth

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between tracing out your templates

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to give details of your features

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and then using your templates just to spatially show you

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how to fill in different areas.

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So if I go back and look at the finished demo

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you'll notice that I'm just hitting a few key shapes

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and I'm even going back in and drawing with the marker

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to kind of pull things together.

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So it's really up to you how you determine

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what do you want to emphasize.

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In the piece that I'm working on now

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I'm emphasizing the colors in the hair

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and what I see through my vision,

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which is a poem that I had written yesterday

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and this piece I'm emphasizing the color in the nose,

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the highlight here, and then really the pattern in the hair

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of the bricks echoing sort of the pattern down here

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in the body of me, of the person.

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So this is something that you can sit with,

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you can think about what the right choices are for you,

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what you want to include.

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Maybe you wanna take some time to do some writing

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away from this for a little while

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to think about introducing that element into your piece.

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In the headband here I have a crow that was,

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a crow, it's a poem about a crow.

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I have a poem

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that I love that is about one of my favorite birds, the crow

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that I included in the headband.

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And so you can see that it just has a little bit of the text

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giving just a clue into that.

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So you don't have to tell the whole story

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but the more glimpses that you can give

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into what's important to you and who you are,

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this will become a more personal portrait

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that expresses your identity.

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All right, so thanks for exploring this with me

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and have fun hangin' out with your reflection

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and thinking about these tools

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and how you're gonna put them together.

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(upbeat jazzy music)
